The first one is the murder of the son of the President of the biggest bank in Spain –and one of the biggest in Europe. They help each other in the solving of the most delicate cases of the Spanish current days. Afterwards, he entered the Reina Roja project.ĭespite their big differences, a strong friendship emerges between them. He was suspended from the National Police Corps due to his involvement in a scandal after helping a prostitute. Jon is a homosexual and a Harri-jasotze champion –a popular rural sport in which 300kg stones must be lifted off the ground onto the shoulder–. In Spain, Antonia and Jon, an endearing Basque police officer, make up the team. The Governor enters shortly, and after a brief confrontation with Torralba, discovers that the Treasury coffers are empty.The most incredible person you have ever met does not exist.Īntonia Scott has such a brilliant and spectacular mind that she belongs to the Reina Roja project (Red Queen) a secret European initiative to solve the most complex and high-standard cases without leaving a trace.Įvery single Red Queen has her faithful squire.
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He then shares the “loot” with Fray Totanes who in turn gives part of his share to his mistress Conchita. At the Auditor General’s office, Fray Totanes witnesses Torralba collecting taxes from the various merchants in order to get their trade permits. Dolores, suspecting the impending result of the investigation amid the pocketing by the friars, weeps bitterly as her mother tries to comfort her. Their conversation is interrupted by the Governor who was on his way out to investigate the Auditor General’s office on the state of the Treasury. LA LOBA NEGRA In the Palace’s family room, Doña Luisa is singing an aria Huizilipochtli about an Aztec god which her daughter Dolores was curiously questioning about its meaning. He blesses the guests as he reassures them of a place in heaven. He got the gifts to add to the Church’s treasury. Meanwhile, Fray Totanes intercepts the gifts meant for the Governor. Fray Totanes apologizes without a trace of sincerity as Dolores exits followed by an “interested” young friar. LA LOBA NEGRA Fray Totanes takes advantage of the Governor’s exit by asserting the power of the church over the state in his song Siya Ba ang Magsasabi Sa Akin? prompting the Governor’s daughter Dolores to chide him for his unbecoming remarks in her father’s house. As he and his wife Doña Luisa exits the scene, anindio (Spanish term used for a Filipino native) servant named Macatangay enters with a message to the Governor from his employer, Auditor General Torralba. To their surprise and dismay, the Governor downplays their ostentatious revelry and gift- giving as a sign of potential corruption in his song Makinig Kayo.The entry of Fray (friar/priest) Totanes and his regal posturing further elicits sarcastic remarks from the Governor. Upon the arrival of the Governor, lavish gifts are offered to him by the various guests. The scene shifts to the Governor’s Palace Ballroom where a welcome party in honor of the new Governor-General Bustamante is in progress. She scolds him in a haunting atmosphere of pitch darkness and a howling wolf from the distance. LA LOBA NEGRA SYNOPSIS: The opera begins with a Prologue depicting the scene of a woman dancing around a priest tied to a log. Choral support was from the Philippine Madrigal Singers, Singers Harmonics, Tiples de Santo Domingo, Pasyon Singers of Cardona, and the Zarzuela Foundation Chorus CulturalĬenter of the Librettist and soprano, Philippines Fides Cuyugan Asensio The composer himself conducted the Philippine Philharmonic Orchestra. Sebastian Totanes, Aileen Espinosa Cura as Florentina Dolores, and Lito Carating/Elmo Makil as Kapitan Macatangay. Secondary roles were performed by Nomer Son as Torralba, Gamaliel Viray/Nolyn Cabahug as Fr. Jimmy Melendrez alternated with Noel Velasco as Governor-General Fernando Manuel Bustamante. Asensio alternated with Eleanor Calbes as Dona Luisa/La Loba.
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LA LOBA NEGRA La Loba Negra was presented by the Cultural Center of the Philippines in cooperation with the Asian Institute for Liturgy and Music at the CCP Main Theater from August 16 to 25, 1984 and the 2nd season in 1985. Ledesma, production design by Don Escudero, costume design by National Artist Salvador Bernal, lighting design by Dennis Marasigan, and choreography by Rene C.
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In 1985 direction was by Peque Gallaga and Jorge V. The premiere was held in 1984 with Lamberto Avellana as director. The music was composed by National Artist Francisco Feliciano, with libretto by soprano Fides Cuyugan Asensio. He was one of the three martyred priests, Gomez, Burgos, and Zamora who were executed in Bagumbayan (now Luneta) in 1872. Act III is based on a legend attributed to Fr. LA LOBA NEGRA La Loba Negra (The Black She-Wolf) is a three-act Filipino opera.